Free PDF The Art of Looking: How to Read Modern and Contemporary Art, by Lance Esplund
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The Art of Looking: How to Read Modern and Contemporary Art, by Lance Esplund
Free PDF The Art of Looking: How to Read Modern and Contemporary Art, by Lance Esplund
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Review
"[A] wise, wonderful new book...Life is busy and art is demanding, but reading Esplund prods us to take the aesthetic plunge, to commit to a James Turrell light sculpture or a forbiddingly monumental Richard Serra art space the same way we do to a Rembrandt, a Berthe Morisot, a Picasso."―Washington Post"Encouraging, intelligent, and thought-provoking."―New York Journal of Books "Everybody who cares about the art of our time will want to own this brilliant book. Lance Esplund brings ease, elegance, and incisiveness to his passionate encounters with creative spirits old and new. His essential belief, presented in prose by turns tough-minded and tenderhearted, is that contemporary practice must be grounded in timeless, universal values. The Art of Looking shines a strong and steady light. We need it."―Jed Perl, author of Calder: The Conquest of Time and New Art City: Manhattan at Mid-Century"Esplund's conversational new book aims to coach its readers through the slow process and at-times-difficult experience of seeing...[He] is at his best when he is able to reach to the past, and to the timeless traditions and values that all successful art shares in."―New Criterion "This important, unconventional book begins as a terrific first-aid manual, highly accessible and full of great common sense, for those for whom modern or contemporary art is puzzling or off-putting. It evolves into a dazzling, jargon-free display of the exercise of slow, close, curious looking at all kinds of art. Those seeking relief from the plague of art-speak will find it in this insightful, unashamedly personal volume."― John Elderfield, chief curator emeritus of painting and sculpture, the Museum of Modern Art "In a friendly and conversational tone, Esplund shares his insights honed during a long career...Inviting and informative."―KirkusPresenting itself as an introductory volume to help orient beginners, The Art of Looking opens with a brisk, illuminating historical sweep before zooming in on specific works by ten dissimilar artists spanning nearly a century. An intensive exercise in meticulous observation and close reading, the book offers a personal overview that should interest art-world sophisticates as well as newcomers to the field. ―Elizabeth C. Baker, editor-at-large, Art in America"The Art of Looking is a wonderful book, filled with remarkable insights about experiencing whatever it is that we mean by the word 'art.' Whether it is Balthus and the Me Too Movement or walking through Richard Serra's enormous curving rust colored sculptures -- there is always something new and exciting to be discovered."―Robert Benton"If you've never understood contemporary art, or fear you've understood it all too well, then this book is ready to be your secret friend. In lucid prose that has the loft of poetry, Lance Esplund lifts the burden of 'art appreciation' to reveal that the subject of all great art is how it appreciates you for the way you look at it. His own encounters with exemplary work-by Joan Mitchell, James Turrell, and Marina Abramovic among others-are related in terms so complete, courageous, and physically convincing they make you want to see art as he has seen it, a giant step toward seeing it for oneself."―Douglas Crase, author of The Revisionist"Despite dramatic shifts in art over the last century, [Lance Esplund] empowers and enables us to appreciate it with 'new eyes.' Rather than perceiving new art as inaccessible or irrelevant, Esplund gently encourages us to trust our own tastes, feelings and opinions."―Detroit Free Press
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About the Author
Lance Esplund writes about art for the Wall Street Journal. Previously, he was US art critic for Bloomberg News and chief art critic for the New York Sun. He has taught studio art and art history at the Parsons School of Design and Rider University, and has served as visiting MFA critic at the New York Studio School. His essays have appeared in Art in America, Harper's, Modern Painters, and The New Republic among others. Esplund lives in Brooklyn, New York.
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Product details
Hardcover: 288 pages
Publisher: Basic Books (November 27, 2018)
Language: English
ISBN-10: 046509466X
ISBN-13: 978-0465094660
Product Dimensions:
6 x 1.1 x 8.5 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#101,829 in Books (See Top 100 in Books)
Wonderful book. I purchased this as a gift for my mother. After reading the intro I couldn't put it down and wound up getting another copy for myself. Anyone with even a cursory interest in the arts will find useful and often fascinating information in this book. It will literally change the way you look at art.
I enjoyed the book. It fits well into an art criticism void: readable, well paced, makes the large connections for the reader across the centuries. But the images he decided best demonstrated his points, the ones he featured in the plates, are all male artists. All. Male. Artists.All.That significantly diminishes this writer's otherwise good work. What was the writer, the editor, the publisher all thinking? This reflects poorly on everyone, at each stage of this book. Do better.
Mr. Esplund writes compellingly about modern, contemporary (and not so contemporary) art, and really helps you to understand how to approach it. He discusses the "language" of art and how artists think, and he beautifully and earnestly describes his own experiences in front of art. It helps to look up the artworks he mentions (if they're not in the book) to see what he's getting at. This book is full of deep thinking and wonderful insights.
This is a wonderful book and it should be required reading for art students. In the age of social media people are loosing their ability to look and focus (and to read). Esplund reminds us that painting isn't about craft and "realism" but instead about experience and reflection.
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